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The tail on 'a' looks good, the tail on 'd' somehow doesn't look robust enough compared to its serif and on the 'u' it looks a bit awkward and too heavy compared to the tail in 'a'.
'f': Hopefully it works, I think I like what I have right now. The bottom half of the stem actually slants to the left, and I made the left side of the crossbar more like a beak, as on the 't', in order to help balance it out. I'm going to start testing prints of this at text sizes once I get the glyphs for the rest of the lc.
'r': I might try bending the stem backwards a bit like on the 'f'.
I think I agree on the 'g' and 's'. Actually, the 's' was more balanced before but I was experimenting with making it top-heavy. It actually improves spacing alongside most glyphs, but beside an 'r' or 'v' looks wonky. Maybe I'll experiment with this more using contextual alternates. Also, slightly new 'g': [link]
Don't you mean the bottom part of 'f' slants to the right? I think it's indeed a good idea for 'r'. I like the heavy top of the 'f' buy the way, but I think there's too much contrast in some of the other characters to make that work. It looks like your Alpine typeface is going to be a great typeface for body text. I'm curious how you're going to handle the italics.
I believe I forgot to mention in the last post that the tittle is also a little small. I think it could do with a 5–10% increase in size.
I mean the the stem of the 'f' slants backwards a little, in order to even it out a bit.
> It looks like your Alpine typeface is going to be a great typeface for body text. I'm curious how you're going to handle the italics.
Thanks. I actually am a little curious as to how I'm going to handle the italics too. I'm waiting until I have the roman nailed down.
I posted another update btw.